CorpusRecord 60119

Canandaigua Academy Spring Concert I Orch/Choir 5/28/2025

A searchable transcript preserved as part of the Discourse Corpus. Passage numbers provide stable references within this record; verify quotations against the original recording when available.

Source
YouTube / Canandaigua YouTube
Date
2025-05-29
Location
Ontario County, NY
Material
Transcript
Extent
2,937 words · about 17 min
Collected
2026-06-07

Transcript

Verbatim source text

001How are you? How are you? I don't know how much time I have to give. I don't like All right. Yeah. Oh yeah. Yeah. I did. Oh yeah. And she's [Music] What am I? Okay. Okay. practice. Happy Nice. So now the owner is going to have to you guys [Music] minutes. Don't Yes. She said I don't know. I don't know. All right. If the fire alarm sets off, please proceed. receives the nearest exit located left and right front and rear of the theater. Please take moment to power down electronic devices as they are distracting performers and other members of tonight's audience. Thank you for familiarizing yourself with the concert etiquette information located at the back cover of your program. Enjoy the performance. Thank you very much for being here tonight. Um, and welcome to our

002first concert of the spring concert season. My name is Sean Perry and I'm the coral director here at Cana Academy. Um, and we are looking forward uh tonight and on Monday night to uh be capping off another great year of music here at CA and sending off this year's seniors uh in style. So, thank you for joining us. Uh this is the first group of the evening, our treble choir. It's made up of students who sing soprano and alto uh in grades 10 through 12. Um and tonight we'll be starting off with a collection of songs by composer Libby Larson. Um, and we are really proud to, uh, feature a really diverse range of composers across all of our concerts. Um, and for a treble choir, uh, we're really excited to, uh, feature Miss Larson

003and a collection of poems by, uh, female poets and about female poets. So, uh, we're excited to start with this one. And I, uh, want to welcome in the the rain in the Palman. Uh, it's today, the spring. Uh being a multi-movement work, we ask that you please hold your applause until the end of the third movement. Thank you. Today is spring. It's time for the [Music] air sea. [Music] to warm the cheek and quick breath and quick breath and quick [Music] Agree that the spirit of beginning to shed the grief of beginningless energy demanding space and speak of life with dream. itself in [Music] [Applause] [Music] you. [Music] La. She for us and we could not dance. She would have us dance and sing. She would have us dance and sing to the day.

004She for us and we would not dance. She would have us dance and sing. She would have us dance and sing.j to rejoice to rejoice to rejoice. This night she for us she would have us dance and sing and she would have us. She would have us this night. [Music] La she for us and we would not dance. She would have us dance and sing. She will have us dance and sing to cate the day. She will have us dance and sing. She will have us dance and sing toj. [Music] I stop breaking. I shall not Live [Music] in one life aching [Music] or help fainting proto I shall not live in pain. I shall not live in [Music] One heart from breaking [Music] not one life a king or [Music] for [Music] helping unto

005[Music] his shall not live in pain. I shall not live. [Music] [Applause] [Music] Thank you very much. Uh, and now, unfortunately, it's time to say goodbye to a couple seniors who are doing their last concert here tonight. Um, Um, now it's really special when we have a group of of students that can be uh have this much like close discussion with the the entire ensemble uh during a rehearsal every day and really get to let all of their individuals ideas and personalities and voices shine within a coral ensemble every single day. Um, and that's especially true for our our seniors who we've gotten to know for four years uh and now are hopefully going to sing elsewhere. uh after they leave CA just uh in a few weeks. Um so we are very sad to

006to lose uh all those smiles that have been happening every day in class. Um all those uh sassy oneliners back in me. Um you know it's you know it's definitely that the highlight of my day. Um so uh and unfortunately we do have a couple illnesses in our ensemble. So, um hopefully you get a chance to see all the seniors who were in your march to your program and give them a big congratulations. Um but for now, we're going to say goodbye to three seniors who are performing here tonight. Uh so when I call the name, they're just going to wave right from this risers and please give a big round of applause. Uh, Instagram 2 section, Zoe Baker, Macy Schneckenberger, Tessa Walton. Um, this our last piece has become a traditional closer every year

007for Trouble Choir. Um, it's an Irish traditional song. It's and it's our perfect. So, thank you very much for joining us this year. [Music] I spent it in good [Music] company to none but And all I want to now recall to the glass. Good night and joy be with [Music] you. Sorry for [Music] We all I would wish one more day to [Music] stay that I should rise and you should [Music] rise and I'll call you. Good night with you all. [Applause] [Music] [Applause] [Music] Hallelujah. Hallelujah. Heat. Heat. I lost you. [Music] [Applause] [Music] Are [Music] you glory? [Music] Oh my [Music] god. Heat. Heat. Heat. Heat. [Music] Hallelujah. Hallelujah. Heat. Heat. Heat. Heat. [Music] [Applause] [Music] Hello everybody and thank Thank you for joining us for our first CA spring concert of this May

008month. Uh my name is Dr. Moore and I'm the orchestra director here at Kandago Academy. Um it's been my absolute pleasure to work with these amazing young string musicians that you see on stage tonight as well as the ones you will see later tonight. Um this is our first this is our symphony orchestra by the way and the first piece that you heard tonight was called the star of the counting down. Um and I have a particular connection to this piece. I don't think this group knows this. Um, when I was little, like two or three, my uncle, who plays guitar and sings, would sing the song and play guitar for me when I was little, and I had a little tape. Do you guys know what tapes are? The cassette tapes. Yeah, I had

009a cassette tape of him singing it. Um, we were joined by a guest pianist for this piece. Um, as as well as the next piece. Um, so please join me in giving a warm round of applause for Walter Marshall. Our next piece of music will be conducted by one of our seniors, Will Burn, who has worked incredibly hard this year. Will has performed on multiple string instruments in both orchestra in both orchestras, fiddle club, jazz band, the sound, and pit orchestra. He and I focused on conducting techniques this semester, and it's been exciting to watch his skills grow. Please enjoy our next piece, Colors of the Winter. [Music] Hallelujah. Heat. Heat. Heat. Heat. [Music] Hallelujah. Heat. Heat. [Music] Heat. Heat. [Music] Thank you. [Applause] [Music] Oh my gosh. So incredible. I teared up back there.

010This is going to happen several times. Get used to it. Okay. Um so, um hi again. It's me. I'm going to be talking a lot. I'm sorry. Um as we are gathering for our final concert of the year, um we I would like to take a moment to honor our amazing seniors who are leaving us. Um this marks their final performance with their peers before heading off on new adventures. It's a time to honor their achievements and the lasting impacts they've made here at CA. This year, we have two seniors in Symphony Orchard. Please give a warm round of applause to our own Julia Gener. [Music] Stay standing and I'm not done with you. Stand up, please. Stand up. Yes. Okay. Um, I will miss your warm smiles and your focused attention in rehearsal. Julia,

011I would like to thank you from the bottom of my heart for bringing Boris into my life. Boris is a little drawing that was drawn everywhere in the orchestra room for the past four years. Um, and he's become very fond of him now. Um, and Jane, your accomplishments have been astounding to witness, right down to your amazing art installation uh upstairs a couple of weeks ago. It's been a joy to be your orchestra teacher for the past four years. Thank you for sticking with it and for being part of our orchestra family. Let's give them one more round of [Music] applause. Our final symphony orchestra piece is called New Chances, New Dances by Richard Miner. Um, this piece was inspired by the incredibly difficult Paganini 24th of Greece. Um, and it's been a fun challenge

012to rehearse and we hope you enjoy. [Music] How you know? Heat. Heat. [Music] Heat. Heat. [Music] Hallelujah. Hallelujah. Hallelujah. [Music] Heat. Heat. [Music] [Applause] [Music] Thank you very much. This is the CA choir made up of students in grades 9 through 12 uh uh getting by audition and we rehearse after school three days a week. Um we put most of our work into traditional jazz choir music but also this is the season of pop night. So you're going to hear a couple of arrangements of more contemporary uh modern pop tunes. Um the first one of which comes um after renewed interest in pop Dylan following the documentary that came out in December um with a message that is now 60 years old but seems to be increasingly relevant with every generation um that comes on

013through. This is times that are changing [Music] Comeather [Music] people have grown and accepted that soon you'll be drenched. to the world. If your time to saving, then you better start or you'll sink like a stone. For the change [Music] and fathers throughout the [Music] landise. Your sons and your daughters are beyond your command. road is a new one if you can't change. [Music] You [Music] are drawn. The curse is cast. The soul [Music] want the presence now. [Music] The order is rapidly fading. And the first one now will later be last. The first one now will later be last. The first one now will later be. The times they are a change. [Music] They are a change. [Music] Thank you very much. Um, and now we get back to our jazz standards. This arrangement

014uh being made by the uh the popular uh book jazz quartet New York voices uh written by John. This is Smackdown. [Music] jelly roll in the middle of it all. Come and find me and me and let me rock and roll to soo my [Music] soul. [Music] People like rocking good and stay awake day and night till then smack dab in the middle chuck me smack dab in the Let me rock and roll to satisfy my soul. I want Cadillac 10 to kill. I want some bar and 50 chicks. Not 22. Then throw me smack dab in the middle. Chuck me smack dab in the middle. Push me smack dive in the middle now and let me rock and roll to sisfy my soul. I want a lot of bread and [Music] gazing smack dab

015in the center. I'm talking about the Holy Ghost tonight. And let me rock and roll to satisfy my soul. I want to sisfy my [Music] soul. Let me rock. Let me roll. Let me satisfy my soul. Is the kind of constitution that your mama for me. Look out. I'm a sucker for the center of a tootsie. Take a look at the mess I'm in. It's a moral epidemic they say when the drummer sets the fly and where I'll be. Don't knock it if you never would ever let anyone anywhere dying to satisfy it. Just keep me rocking and [Music] reeling. Everybody's feeling that way. We got to be raising the ceiling. Just keep the music out and we'll be singing all night in the center and let me rock and roll to sisfy my soul.

016Want a swing in 100 street that's bring me a wagon load of bombs and stops and open up the door for me smack dab in the middle smack dab in the middle Smack dab in the middle. Push me. Smack dab in the middle. Smack dab in the middle. Let me rock. Let me roll. Let me sisfy my soul. Smack dab in the middle, my friend. Right from the top. Take it straight to the end. in the middle. And let me rock and roll the saddest by my soul. Let me rock and roll the saddest by my soul. Let me rock and roll. my soul. Smack down. Smack down. Smack. Smack down. Smack down. Smack [Applause] down. [Music] Woohoo. Thank you. Thank you. Thank you. We do have one more for you tonight. And um we

017have lots of Red Bull leaders up here, but we also have a concert on Monday. So, we have a lot of seniors, uh in this group who are having their last concert on Monday, and that's where we're going to say nice things about them. Um right now, uh I don't care. So, um uh but before we last, I want to make sure that everybody knows about Pop Night. Something fun that we do every year. It's one of the biggest energy crowds and and backstages of the entire year. Um, if you imagine uh karaoke but good and with a live band, that's pop. Um, so we're going to have lots of students from this ensemble singing solos that they chose and they rehearsed. Um, and we're really excited to put that on. That is next week

018on Friday at 7:30 p.m. Um, admission right at the door. Uh, no pre-sale tickets and it's pay what you want admission. Okay? And yes, that can be zero. Um, we also like triple digits. So whenever you appropriate for all of the crazy work that they do in the sweat and the tears. But zero's open. Um, and now we're going to sing our last song. It seems fitting that it's a song about independence and finding your place and stepping forward uh with confidence um as we as we start to wrap up our year um and send a very large very fun active senior class um into their future uh with music. Um last song here is Walk Out on the Water. One. Ah. Still got a ticket to play. I won't be walking away. Ah, I

019see all the weight of the [Applause] world. Another [Applause] single. I own the space that I [Applause] [Music] hallelujah like a butterfly. [Applause] [Music] I woke up alone on the shore. [Music] [Applause] Everything's happen. [Applause] Hallelujah. I own the space that I occupy. [Applause] Hallelujah. My butterfly. [Music] Something with the door shut. [Music] When I walk out on the water, I'm not going under. I own the space that I occupy. Hallelujah. [Music] Hallelujah. Hallelujah. [Music] Everything's happening the way I want. Everything's happen. Everything's happening the way I want. [Applause] [Music] [Applause] [Music] Heat. Heat. Heat. Heat. Hallelujah. [Music] Heat. Heat. Heat. Heat. Hallelujah. [Music] Heat. Heat. [Music] Heat. Heat. [Music] Thank you so much. This is chamber orchestra and this is the last ensemble that you were will hear this evening. Um before we recognize

020our seniors in chamber orchestra, I would like to present a few special awards. This graduating class is especially meaningful um to me. They're my first group of seniors that I've ever had from freshman and senior year ever my entire life. Um, so it's going to be a tough group to say goodbye to. Um, choosing just a few recipients uh for these awards was incredibly difficult for our music faculty and I'm honored to present the following awards. The first award uh is the National School Orchestra Award. This award was presented to a senior who has displayed outstanding contributions and service to the orchestra and who demonstrates an unusual degree of loyalty, cooperation, and high standards in orchestra rehearsals with peers and individually. Additionally, this award goes to a senior who's worked incredibly hard to improve their

021skills at their instrument and who's made great progress in their time in orchestra. They are an outstanding individual who has become an essential element to our classroom culture. This student has taken artistic risks and in addition to orchestra has participated in jazz band, several choirs and the spring musical. It is my honor to present the National School Orchestra Award to Thomas Tier. [Music] The second award that is given to an orchestra student uh each year is the Mark Bradley Memorial Orchestra Award. This award is presented in honor of Mark Bradley who is a former Candidal Orchestra Director. Mark is remembered for having a warm-hearted demeanor, a witty yet timely sense of humor, impeccable manners, and an always present sense of style and grace. This award is presented to a senior who the Canada music department

022feels best exemplifies the spirit of Mark Bradley. And this year that student is none other than Ian Duncan. [Music] The final award of the evening is the Pete Peter C. Nelson Music Award. This award is given in honor of Mr. Nelson, a former Canondua foreign language teacher who passed away suddenly in 2015 right before he was about to perform guitar and banjo in the CA musical musical pit orchestra. Mr. Nelson spent many years supporting and encouraging Canida music students and was a shining beacon for those participating in extracurricular music groups. This award is given to none other than Wilburn for his passion dedication passionate dedication to pit orchestra throughout his time in high school, his participation in orchestra and band, and his hard work learning not one, not two, but three different string instruments while

023in high school. [Music] at this time with the help of uh Mr. John Casey, who cannot perform with us this evening because of um a recent surgery, however, is here supporting his peers. Um he's my assistant. Um I have a small token of my admiration and appreciation for all of the seniors in this group. Um I would like all seniors to come to the edge of this stage. Don't fall off though. That would be sad. Uh when your name is called, Crystal. Wait a second. Follow directions. We've been working on this for four years, folks. And I don't know what to tell you. Uh Crystal Anderson. Wilurn, Tim Curtis, Hannah Jacobs, Colton Lamb, Gabby Martin, Gabby Martin. Amelia Moore, Thomas Tierling, Holly Field, Ava Tyler, and Olivia Zogle. Oh, Ian, you're on here. I just

024accidentally skipped you. Ian Duncan. Sorry, everybody. on here as a lot of seniors. This is a lot of seniors. Okay. Um I would like Thank you, John. Give a round of applause to John. Okay. I'm going to speak to you directly now. I want to express my deepest congratulations to each and every one of you. I have been privileged to get to know you all over the past four years and you are such an integral part of our orchestra family. I honestly don't know what I would what I will do without you all here next year. I'm so excited to see where life takes every single one of you. And I want to tell you that I'm so proud of you for all of your accomplishments in your high school careers and all you will

025accomplish moving forward. I also want to thank all of the amazing families of these seniors for supporting their music education and nurturing them to be the best that they can be. I appreciate all of you. Seniors, this may be one of the last times that I have to mom you. So, I will do this publicly on stage in front of everybody. Be safe. Make good choices. Be kind to humans. Drink water. And know that we all of us in the Candidro community are here for you should you ever need anything. One more round of applause for all of our [Music] seniors. You may sit down. And we have two more pieces for you. Um, a few weeks ago, the senior class unanimously voted to include this next piece on the program just for their parents,

026especially for their parents. Um, so for this piece, please welcome back Walter Marshall on piano as we perform When She Loved Me from Toy Story 2. [Applause] [Music] We go. [Music] Hallelujah. [Music] Amen. Thank you. [Music] I'm back again. Okay, so last year there was a senior who graduated named Ezra and they started something that the jazz band and the band also kind of do. They have the green jazz jacket that goes down to a new brass player incoming senior um every year and Ezra kind of started a similar sort of thing with these green scrunchies that we were given at a fiddle club concert St. Patrick's Day last year. Um, and it has started to been passed down to an incoming senior chalice who has the skills and the energy to, as Ezra would

027say, carry the cello section. Um, and I asked Dr. Moore to let me give this down to the next incoming senior on stage. And I'm continuing that on by giving it to Sylvia, who I have been in fiddle club with and orchestra with for three years and pit this year. And she yelled at me a lot. She was very mean to me. She's very good at making sure I play in tune and with the correct bowings and everything. Um, and so it's hers now and I'm entrusting it to her to pass down to the [Applause] next. I found out about that maybe 15 minutes ago. Okay. To close our concert, please enjoy our final piece, Subterranean Dialogues by Richard Meyer. This piece features our fabulous bass section with solos by Thomas Tearlink and Jillian Bin.

028Thank you again for joining us this evening. We hope you've had a lovely time. [Music] Never. [Music] Come here. [Music] Happy. [Music] Heat. Heat. [Music] Heat. Heat. [Applause] Yes. Sorry. I need to be silly. [Music] I'm going to

This transcript may contain errors introduced by automated or source-provided captioning. Bracketed descriptions such as [Music] are retained from the source. Passage divisions are editorial aids and do not alter the wording.